本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

罗伯特·许廷格先生是美国传统基金会的研究总监，同时兼任季刊《政策评论》的编辑。他在四年中担任美国国会共和党研究委员会高级研究员。 埃蒙·巴特勒先生曾师从诺贝尔经济学奖得主哈耶克，在芝加哥大学社会思想委员会学习，后又拜在赛亚·柏林爵士门下，在牛津大学和哥伦比亚大学继续深造。他曾被苏格兰的圣安德鲁斯大学授予了博士学位。 戴维·迈泽尔曼，本书序言的作者，是北弗吉尼亚州弗吉尼亚理工学院和州立大学的经济学教授及研究生项目主任教授。

罗伯特·许廷格先生是美国传统基金会的研究总监，同时兼任季刊《政策评论》的编辑。他在四年中担任美国国会共和党研究委员会高级研究员。 埃蒙·巴特勒先生曾师从诺贝尔经济学奖得主哈耶克，在芝加哥大学社会思想委员会学习，后又拜在赛亚·柏林爵士门下，在牛津大学和哥伦比亚大学继续深造。他曾被苏格兰的圣安德鲁斯大学授予了博士学位。 戴维·迈泽尔曼，本书序言的作者，是北弗吉尼亚州弗吉尼亚理工学院和州立大学的经济学教授及研究生项目主任教授。

罗伯特·许廷格先生是美国传统基金会的研究总监，同时兼任季刊《政策评论》的编辑。他在四年中担任美国国会共和党研究委员会高级研究员。 埃蒙·巴特勒先生曾师从诺贝尔经济学奖得主哈耶克，在芝加哥大学社会思想委员会学习，后又拜在赛亚·柏林爵士门下，在牛津大学和哥伦比亚大学继续深造。他曾被苏格兰的圣安德鲁斯大学授予了博士学位。 戴维·迈泽尔曼，本书序言的作者，是北弗吉尼亚州弗吉尼亚理工学院和州立大学的经济学教授及研究生项目主任教授。

In this pioneering and important book, Philippe Aries surveys children and their place in family life from the Middle Ages to the end of the eighteenth century. The first section of the book explores the gradual change from the medieval attitude to children, looked upon as small adults as soon as they were past infancy, to the seventeenth and eighteenth century awareness of the...(展开全部)

Ranging from photo-based pictures to gestural abstraction, Gerhard Richter's diverse body of work calls into question many widely held attitudes about the inherent importance of stylistic consistency, the "natural" evolution of individual artistic sensibility, the spontaneous component of creativity, and the relationship of technological means and mass media imagery to traditio...(展开全部)

Ranging from photo-based pictures to gestural abstraction, Gerhard Richter's diverse body of work calls into question many widely held attitudes about the inherent importance of stylistic consistency, the "natural" evolution of individual artistic sensibility, the spontaneous component of creativity, and the relationship of technological means and mass media imagery to traditio...(展开全部)

“Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, le...(展开全部)

“Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, le...(展开全部)